Gathered Memories is a textile installation of tea dyed silk and gold thread illustrating the concept of memories, showing how these twist and turn through life. Inspired by an original idea by Elizabeth Saunders and commissioned by the Theatre Royal Winchester, this larger and more ambitious work brought together five artists and is the culmination of three months’ work.
Elizabeth was joined by Jeryl Church, Lisa Earley, Consuelo Simpson, Ann Smith and talented young students from Peter Symonds College to complete the piece. The team met every Wednesday and worked on the installation in the atrium of the Theatre Royal, Winchester where it now hangs.
While many artists routinely collaborate in their working lives (musicians, actors, dancers), this is less common in the visual arts. The artists working on the Gathered Memories installation all enjoyed the collaborative and social aspects of the project. The opportunity to share the development of the piece with fellow artists, from tea dyeing the fabrics on a wet and windy winter’s day
through the stitching phase and the trepidation of the assembly and installation was a rare and much appreciated pleasure.
The participating artists have all produced work on the theme of memory for this exhibition and this work is also on show in the Theatre Royal, Winchester. The exhibition runs until 31 May 2013.
Hampshire based artist Lynette Long has an interest in depicting the human form. She has a large family which she uses to draw inspiration from. Working intuitively without a preconceived idea of the end result, Lynette lets the medium she is working with help to evolve the piece – this keeps her work fresh and original.
Great party at our Artist’s Reception evening yesterday at Hanger Farm. A lovely venue, full of character, with extremely helpful technicians who made the hanging process almost pain free, and our evening guests were very complimentary about the exhibition. It is on until 27 April so please do go along if you are in the area. A taster of what you will see can be found below.
Following on from a cold and snowy four days at the Birmingham NEC last weekend, the group are now busy getting their work together for our Hanger Farm exhibition which starts next week. As a taster of what to expect, here is a piece of work from Nicky Blake taken at the recent ICHF show.
Captivated by the outstanding beauty of the Solent coastline and ancient woodlands of the New Forest, Nicky is constantly thrilled and challenged to create Art that reflects her passion for our natural world.
Since completing the Foundation Degree in Stitched Textiles in 2012, Nicky is now studying for a Diploma in Stained Glass and Fusing Glass Techniques at the Creative Glass Guild in Bristol.
Day 2 of the ICHF is now over but with two more days left to go, there is plenty of time left for you to come and visit us at Stand N18. Here is a taster of what to expect.
We are very excited to be exhibiting at Hanger Farm during April. This arts centre is based in Totton in Southampton within a unique Grade II listed 18th century converted barn and is Totton College’s performing arts facility and professional community arts venue.
“After I graduated, I knew I wanted to move away from the mixed media work I did for my degree show, and back to my first love, hand stitch. I played around with several ideas, but I had no clear sense of direction, and nothing really spoke to me. After 4 years of City and Guilds and 3 years of the degree, when I was working to deadlines, making pieces and using techniques more or less prescribed by the course, I didn’t know what I wanted to do.
I came across an on-line course, ‘An Embroiderer’s Ledger’ by Karen Ruane, and without really knowing what I was letting myself in for, I signed up for it. It was an eye opener.
Karen showed us how to move from an image which inspired us to our own individual work, through drawing, painting, stitch and collage. In the process, which is great fun, you produce a ledger which is a thing of beauty in its own right, and an endless source of inspiration.
By this stage I was beginning to think about ‘Moving On’, our display at the NEC. I had been taking photos of traffic with the idea of using them in some way, but using Karen’s techniques on a manipulated photo of cars produced a motif of repeated arrowheads. This image had a definite sense of direction, but arrows can go in all directions, just like my ideas. I decided to make a book which reflected the journey from my mixed media work, through chaos, to some sort of resolution. I chose a piece of clashing hand-dyed fabric for the backing and set to work, using colours found in the fabric.
Part way through, I was playing around with a photo of the mixed media page, ran it through an iPad app called Decim8 – and the arrows popped up again from nowhere. It was obviously meant to be!”